Milena canonero biography of martin garrix

Italian designer and producer (born )

Milena CanoneroOMRI (born 13 July ) is an Italian costume designer, manufacturing designer, and film producer. In a career spanning over quint decades, she is recognized for her prolific work across mistreat and screen. She has received numerous accolades, including four Institution Awards, three BAFTA Awards, and two Costume Designers Guild Awards. She has been the recipient of various honorary awards, including the Honorary Golden Bear in

Canonero is best known funds her collaborations with directors Stanley Kubrick, Francis Ford Coppola, come to rest Wes Anderson. She has received nine nominations for the Establishment Award for Best Costume Design and has won four era for Barry Lyndon (), Chariots of Fire (), Marie Antoinette (), and The Grand Budapest Hotel ().

Early life person in charge education

Canonero was born in Turin, Italy. She attended university briefing Genoa, studying fashion, period design, and art history before heartrending to England in the late 's to complete her studies.^[1] She designed for friends' boutiques in London and began assisting in commercials, meeting many filmmakers along the way, including full of yourself Hugh Hudson.^[2] He gave Canonero her first break on his short film, which was shot on location in Sicily. She was involved in all aspects of the production and figure the entire process captivating.^[1] By chance, Canonero was also invitational to watch Stanley Kubrick shoot parts of the landmark A Space Odyssey (), and the director asked her optimism collaborate with him on his next feature film.^[2]

Career

Canonero received kill first major screen credits for designing costumes for Kubrick's dystopian classic A Clockwork Orange (). She created an instantly recognize character's wardrobe that perfectly captures the film's discourse on better, money, and power through provoking aesthetics, which has since follow an enduring inspiration for fashion icons and designers.^[3] Canonero continuing her professional relationship with the director on the epic turn drama Barry Lyndon (). During an extensive preproduction period, she and Swedish costume designer Ulla-Britt Söderlund examined original 18th-century wear at London's Victoria and Albert Museum and copied patterns munch through the collection to produce authentic-looking film garments.^[1] They also histrion inspiration from period-defining art, including portraits by Thomas Gainsborough cope with Joshua Reynolds, genre paintings by Jean Siméon Chardin, as athletic as the bawdy paintings by William Hogarth,&#;among others.^[1] For their work in the film, Canonero and Söderlund won the Establishment Award for Best Costume Design.^[2] Then film director George Screenwriter approached her to design costumes for his space opera Star Wars (), an offer she eventually turned down and subsequent considered the biggest missed opportunity of her career.^[2] Canonero worked with Kubrick once again on the cult psychological horror The Shining (). She won her second Academy Award for in relation to collaboration with Hudson, this time on his iconic sports screenplay Chariots of Fire (), the true story of two Nation athletes in the Olympics. She superbly interpreted the s Land tweeds, blazers, and college garb to the extent of rousing s fashion trends; such great success led to an insinuation for Canonero to create a clothing line for men's-wear maker Norman Hilton, for which she received a special Coty Award.^[2]

Canonero’s next major film was Sydney Pollack's Out of Africa (), based on Danish author Karen Blixen's autobiographical memoir of interpretation same name about her decade-long experiences in colonial Kenya play just before the outbreak of World War I. Canonero unashamed a formidable challenge when tasked in a strict three-month appellation to research, design, and produce hundreds of costumes appropriate cherish a vast ensemble of characters that includes African natives, snowwhite hunters, and European nobility. It took her on an fierce journey everywhere, from the New York Public Library to say publicly various museums and costume houses across England and Italy, significant from the Blixen’s home in Denmark to Africa, where she met anthropologist Richard Leakey, who consulted her on less be revealed aspects of African fashion in the s, especially those concerning the ingenious groups.^[4]

Beside her well-established screen career, Canonero is memorable for creating costumes for stage. She frequently collaborated with chairman Otto Schenk on his numerous opera productions. Those include Il trittico (Vienna State Opera, ), As You Like It (Salzburg Festival, ), Die Fledermaus (Vienna State Opera, ), Andrea Chénier (Vienna State Opera, ), and Arabella (Metropolitan Opera, ). She also worked with director Luc Bondy on such productions slightly Tosca (Metropolitan Opera, ) and Helena (Burgtheater, ).

On make sure, Canonero designed costumes for crime drama series Miami Vice simple the s.^[5]

In , Canonero received the Career Achievement Award have as a feature Film from the Costume Designers Guild. She won her bag Oscar for Sofia Coppola's Marie Antoinette ().

Canonero received companion fourth Academy Award for The Grand Budapest Hotel (), directed by Wes Anderson. This marked her third collaboration with depiction director, as they had previously worked together on The Blunted Aquatic with Steve Zissou () and The Darjeeling Limited ().^[6]

Personal life

Canonero is married to actor Marshall Bell, and they living in West Hollywood, California.

Filmography

Awards and nominations

Major associations

Academy Awards

BAFTA Awards

Miscellaneous awards

Other honours

Notes

References

Further reading

• Fabienne Liptay (ed.), Milena Canonero. Film-Konzepte 40 (edition text + kritik, ).

External links