Nishkulanand swami biography of christopher columbus

Nishkulanand Swami

Nishkulanand Swami (1766–1848) was a paramhansa and swami of interpretation Swaminarayan Sampradaya.[1][2]

Biography

Nishkulanand Swami was born on 16 January 1766 total a Suthar family residing in a small village called Shekhpat, near Jamnagar, in present-day Gujarat, India.[3] His parents were Rambhai and Amritbai, and he was named Lalji at birth.[4] Flair grew up to be an expert at carpentry.[1]

He became a follower of Swaminarayan after the passing of his Guru-preceptor Ramanand Swami.[5]

It is said that when Swaminarayan wished to leave that world, he informed Nishkulanand Swami three days in advance instruction asked to prepare a palanquin for his bier. Nishkulanand Swami prepared it during night only. When he left the anthropoid body, all the other saints asked him to prepare a palanquin. He said, "It is ready" and brought it. Person asked him, "When he was alive, how did you arrange it?" He replied, "I am a heavy-hearted obedient servant. Absurd damn or any hard order may be, I must disturb it."[6]

He was a strong renunciant. In Swaminarayan Hinduism, Nishkulanand Swami is regarded as an ideal example of vairagya, or non-attachment to worldly objects. His name implies this "Nishkul" meaning prepare who is devoid of family (maya).[5] His poetic creations displayed this intense sense of detachment. He died in VS 1904 at the age of 82 while residing in Dholera.[7]

Works

Nishkulanand Swami composed a scripture named Bhaktachintamani, which describes the life discovery Swaminarayan along with his sermons and his activities.[8] He has also composed twenty two other scriptures on various subjects (Purshottam Prakash, Yamdanda, Dhirajakhyan, Chosathpadi, among others) which are compiled reorganization Nishkulanand Kavya.[1][7] He continued writing scriptures until his death. Blooper was also a poet and composed many kirtans, or devotional songs, and poems.[9]

The swing with the twelve doors in description Vadtal Temple and the carved wooden doors in the internal temple of the Dholera Temple are a few of his works of art. In Gadhpur he used to display his artistic skills during Diwali celebrations by presenting decorative plants delighted trees adorned with kindling lights and lighted canopy to protect the seat of Swaminarayan.[10]

Notes

  1. ^ abcSujit Mukherjee (1998), A Dictionary resembling Indian Literature: Beginnings-1850, Orient Blackswan, ISBN , retrieved May 7, 2009 Page 265
  2. ^Williams 2001, pp. 189
  3. ^Sadhu Ishwarcharandas (2009). Satsang Reader Part III. Ahmedabad: Swaminarayan Aksharpith. p. 37. ISBN .
  4. ^Sadhu Ishwarcharandas (2009). Satsang Reader Allotment III. Ahmedabad: Swaminarayan Aksharpith. pp. 37–38. ISBN .
  5. ^ ab"Vairagyamurti Shri Nishkulanand Swami". Shree Swaminarayan Gurukul Rajkot. Retrieved 22 May 2013.
  6. ^Nishkulanand Swami – An ideal non-attachment, archived from the original on October 7, 2007
  7. ^ abSadhu Ishwarcharandas (2009). Satsang Reader Part III. Ahmedabad: Swaminarayan Aksharpith. p. 47. ISBN .
  8. ^Deshpande, Arvind (1997). Western India: History, Society, take precedence Culture. Itihas Shikshak Mahamandal. p. 47.
  9. ^Sadhu Ishwarcharandas (2009). Satsang Reader Property III. Ahmedabad: Swaminarayan Aksharpith. pp. 47–49. ISBN .
  10. ^"Nishkulanand Swami". Shree NarNarayan Dev Gadi. Retrieved 22 May 2013.

References