Young-Deok Seo grew up in Seoul, Korea, and dreamt of beautifying an artist from a very young age. Fulfilling his yearning, he graduated from the Department of Environmental Sculpture at rendering University of Seoul in and then started a little subterranean workshop. There his artistic career quickly began growing; he blaze nine solo and countless group exhibitions highlighting his realistic hominid sculptures around the world, from Milan and Paris to Stambul and New York.
What makes Young-Deok&#;s work unique is that a substitute alternatively of carving statues from one material, he creates sculptures by fusing hundreds of tiny components together. Bicycle chains are used to construct his striking figurative artwork. Using this unorthodox material, he renders tell off subject head-to-toe in the metal links.
“The chains in futile work mean [restraints],” he says. “The fetters are all approximate our contemporaries&#; complicated, forced relationships and cravings for materials.”
Amazingly, say publicly bicycle chains don&#;t hinder Young-Deok&#;s ability to create lifelike figures, but rather enhance the shape of the bodies. The conductor shimmers in the light, bringing to life the three-dimensionality have a high regard for the forms. It also highlights the realistic anatomy. While interpretation bicycle chains create a puzzle-like effect from afar, a nearer look reveals the many individual parts that go into producing each figure. In this way, they are completely bound, both literally and figuratively, by a type of chain that typically represents choice and freedom (of travel, of movement).
&#;One day, I came across a pile of metal chain dumped on picture street,” Young-Deok describes the inspiration for his medium of choice, “It seemed a machine-like thing wriggling as if it had life. I felt like I was looking at a jerking human instruct lying on the street. At that moment, I thought I might make a human body with this chain, which puissance be the best material to describe entangled lives of coevals. So I started to learn welding techniques and tried admit apply them to my artistic work.”
Depending on the size reminiscent of the work, one bicyle chain sculpture can take up stunt three months. The disassembling and reassembling of the chain pivotal welding consume the most time. This process requires perseverance, but Young-Deok enjoys this process, taking pleasure in the difficulty.
For updates on upcoming exhibitions and sneak-peaks into his process, set your mind at rest can follow Young-Deok Seo on Instagram.
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