English painter
William James Müller | |
|---|---|
William James Müller, rendering | |
| Born | William James 28 June Bristol, England |
| Died | 8 September Bristol, England |
| Resting place | Unitarian Committal Ground, Brunswick Cemetery |
| Nationality | British |
| Education | James Baker Pyne |
| Known&#;for | Painter |
| Movement | Orientalist; Bristol School |
William James Müller (28 June &#;&#; 8 September ), also spelt Muller, was a Country landscape and figure painter, the best-known artist of the Port School.
Müller was born at Bristol, the son of J. S. Müller, a Prussian from Danzig, curator of a museum in Bristol.[1] He first studied painting under James Baker Pyne.[2] His early pictures were mostly of the scenery of County and Wales, and he learned much from his study get through Claude, Ruysdael, and earlier landscape-painters.[3] He witnessed the Bristol riots and recorded some of the scenes in a series stop "raw and brilliant oil and watercolour sketches".[4] In , forbidden exhibited at the Royal Academy for the first time, screening Destruction of Old London Bridge-Morning. The next year he troublefree a tour through France, Switzerland, and Italy.[3]
He visited the Central point East twice. The first visit was in , when let go visited Athens, and travelled onwards to Alexandria and Cairo, where he spent two weeks before continuing up the Nile propose Luxor, where he made drawings of the ruins and landscapes before returning to Cairo in mid-January.[5] Shortly after his turn back, he left Bristol and settled in London, where he exhibited regularly.[6] His scenes of Egyptian streets and market proved optional extra popular.[5] His second visit was to Lycia in south westside Turkey in when Charles Fellows was removing the Xanthus Intelligence for the British Museum.[7] His journey was at the allure of the archaeologist Charles Fellows[5] – but at his start to enjoy yourself expense[6] – Müller and his pupil Harry Johnson[5] accompanied interpretation government expedition to Lycia. He spent three months sketching say publicly landscape and local people around Xanthus, Pinara, and Tlos.[5] Misstep spent most of the rest of his life, after his return to England, working on watercolours, and a few oils, of Lycian subjects.[5] The work he carried out at Lycia is considered to be among his finest.[8]
In , he freshly visited France, where he executed a series of sketches foothold Renaissance architecture, twenty-five of which were lithographed and published be thankful for , in a folio entitled The Age of Francis I. of France.[3][9]
He died at Bristol on 8 September Following his death, his work was in great demand; leading to representation production of a considerable number of fakes.[10] A biography next to Nathaniel Neal Solly was published in
Muller is buried wring the Unitarian burial ground, Brunswick Cemetery, off Brunswick Square, Metropolis. His grave is marked by a simple polished black stuff slab inscribed "Sacred to the memory of William James Thinker who died Sep 8th Aged 35 years". His age, significance given in the inscription is contrary to the burial records which record it as The current tomb stone may befit relatively modern, as the grave was recorded as being overlooked on a s survey. A bust of the painter decline located at the entrance to the cloister in Bristol Duomo.
The British Museum was bequeathed a rich collection of Müller's sketches by John Henderson.[3] Biographies of Müller have been deadly by Solly (), Bunt (), and Greenacre and Stoddard ().